Sunday, 16 July 2023

From Dreyfus to Assange

l’affaire Dreyfus

In 1894 French artillery officer, Captain Afred Deryfus, was convicted of treason. He was sentenced to life imprisonment for communicating French military secrets to the German Embassy in Paris and imprisoned on Devil’s Island where he spent five years incarcerated under harsh conditions. He was, of course, innocent. He was finally exonerated in 1906. Émile Zola wrote an open letter, 'J’Accuse' which started a movement in support of Dreyfus. Its supporters included Sarah Bernhardt, Anatole France, Charles Peguy, Henri PoincarĂ© and Georges Clemenceau. As a Jew, Dreyfus was hated by an anti-semitic French establishment The role played by writers, media and public opinion proved influential in the long struggle for his freedom.

L’affaire Assange

In 2019 Julian Assange was incarcerated in isolation at Belmarsh, a UK maximum security prison. He is being held there waiting for the US to agree his extradition to the US to face charges under the Espionage Act of 1917 and for acts of ‘computer intrusion’. One of these intrusions is a 10 minute video of the 12 July 2007 US helicopter airstrike in Iraq which killed 18 civilians, including two Reuters journalists. The role played by the Media has been a disgrace and where is our Zola? ‘Public opinion’ is defined by the very media who remain silent on the matter.
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Friday, 14 July 2023

 



Blood, Gold and Oil

'A profound and serious play where politics and psychology, authenticity and fable, artefacts and abstractions combine to expose a bitter truth.' The Morning Star
'Douglas Clarke-Wood as TE Lawrence effortlessly commands the stage as TE Lawrence' London Pub Theatres

    I went to the Riverside Studios in Hammersmith (London) to see the final night of Jan Woolf’s, play, Blood, Gold and Oil written and produced to mark the 20th anniversary of the Iraq occupation. Unsurprisingly it played to a full house for its entire run.
    The play scrapes away at the topsoil of TE Lawrence's celebrity and excavates all that lies beneath. Was he a brilliant military commander? Certainly. A freedom fighter? He thought so. An agent of British colonialism and the burgeoning oil corporations? Could be. An admirer of Lenin. Yes. Killed or assassinated in a road accident? Maybe. Did Peter O’Toole in ‘Lawrence of Arabia’ mythologise the man. Very likely.
    During the course of the play, an exhibition is pieced together with an array of World War One artefacts on loan from the National Civil War Centre in Newark and The Imperial War Museum. The finds were from a 2013 archaeological dig in Jordan which Jan visited to dig her play out of the desert.
    The play is a timely reminder of those responsible for the long, bloody history imposed on the peoples of the Middle East in pursuit of liquid gold.

photos: Play poster and Jan Woolf with Douglas Clarke-Wood (TE Lawrence)



The play is dedicated to the memory of Neil Faulkner, archaeologist, historian and political activist.


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